The Umbrellas of Cherbourg (1964) and Barbarella (1968)

We continue our Camp Cinema season in our seventh episode covering The Umbrellas of Cherbourg (1964) and Barbarella (1968)

Special Guest: Manish Mathur, host of the It Pod to Be You, covering romantic comedies from classics to modern hits and everything in between.

French director Jacques Demy embarked on an ambitious project to create a film in which every line was sung. What initially appeared as a gimmicky opera about everyday life evolved into one of the most acclaimed musicals of all time. The film is imbued with vivid color and adorned with enchanting songs, showcasing Demy's profound appreciation for artifice, a hallmark of camp cinema.

In stark contrast to Demy's refined sensibility stands Roger Vadim's audacious science fiction film, Barbarella (1968). Infamous for the wrong reasons, the film features Jane Fonda in the lead role, navigating an incoherent narrative inspired by a French erotic comic. Here, the camp is strikingly naïve, and the collective artistic intentions remain enigmatic and elusive.