Longlegs (2024) and Trap (2024)

We kick off a new season of Film Trace exploring Manhunt Movies with Longlegs and Trap.

In this season of Film Trace, we will dive into movies about being hunted or being the hunter. While these hunted vs hunter films span a wide breadth of genres, we start with the most tried and true model, the serial killer thriller.

Longlegs made a huge splash this summer. A true indie made for under 10 million, Longlegs has broken the 100 million dollar mark at the worldwide box office to become the highest-grossing independent film release of the year. This is particularly bizarre for few reasons. One, the marketing campaign budget was tiny. It was a throw back to the Blair Witch Project campaign from 1999: guerrilla, less is more, driven by word of mouth. Two, Oz Perkins is not a huge director, mostly genre and more experimental fare. Three, while elevated horror has a big profile, it tends to not bring home the bacon. Longlegs starts a new chapter for Neon as studio-distributors and the horror genre at large.

Trap had a huge marketing campaign and a big name behind it, M Night Shyamalan. The trailer seemed everywhere in 2024. The release spot was not great, but it still counts as a summer release. So the hopes were high for fans and the studio. It turns out to be a pretty standard M Night movie: fun, odd, and very polarizing. Josh Hartnett makes a major return in this arena thriller with a conspicuous Hitchcockian flair. Where as a Longlegs tries to get by on mostly just vibes, Trap drives forward with a mousetrap plot that feels compellingly contrived. Neither seems to hit the bullseye, but both are well-made and engaging films that provoke discourse.